Brian Knep is a media artist working with cutting-edge science and technology. As the artist-in-residence at Harvard Medical School, he works side-by-side with scientists, co-opting their tools and techniques to explore alternative meanings and ways of connecting to the world. Knep’s works range from microscopic sculptures for nematodes to large-scale interactive installations
this called Drift Wall and it is a two channel interactive video instillation
A wall of drifting panels that react to viewers’ gazes. The shapes on each panel slowly drift upwards, changing their look and behavior as they cross the membrane between panels. When a viewer looks at a particular column, the shapes on that column slow their movement and begin to slide down, rather than up, the wall. When the viewer looks away, the shapes revert to their upward drift.
The columns begin identically and change in reaction to viewers, so the state of the piece at any given time is the result of every viewer who’s looked at the piece since it began.
These works use child-like drawings to examine, in a humorous way, the illusions that drive us. The creatures, with their huge, exaggerated faces and skeletal legs, are caricatures of the endlessly cycling everyman. They are presented as shadows, and they react to our intrusions into their small worlds.
some interactive pieces use emergent patterns to explore change and reaction to change. Drift Wall reacts to viewers’ gaze, each column drifting downwards only when a viewer looks at it. At any given time, the state of each of these pieces is unique, the result of every previous viewer interaction.
The big smile blinks, looks around at viewers, and smiles only when no one is looking directly at it.Viewers get a glimpse of the smile as they look away, but when they look back the smiley no longer smiles.
For me ,When I look at it, I could’t stop smiling from it. It makes all my sorrow disappear.



